BEGIN:VCALENDAR VERSION:2.0 PRODID:-//132.216.98.100//NONSGML kigkonsult.se iCalcreator 2.20.4// BEGIN:VEVENT UID:20250907T095801EDT-1148E3K1bu@132.216.98.100 DTSTAMP:20250907T135801Z DESCRIPTION:The International Conference on Narrative will be held at McGil l University in Montreal\, Quebec\, Canada from April 18 – 22\, 2018.\n\nP rofessor Lindsay Holmgren invites the Desautels Community to attend the Pa nels and Talks hosted at the Desautels Faculty of Management.\n\nPlease no te that the plenary engagements are closed to the public due to limited se ating in Moyse Hall.\n\n\n1. Rhetorical Approaches to Character Narration \n\nLocation: 422\n Moderator: James Phelan\, The Ohio State University\n\n Presentations:\n\n\n Character Narration and Ideology in the Postcolonial B ildungsroman\n Siddharth Srikanth\, The Ohio State University\n Narrating In tertexts in Jesmyn Ward’s Salvage the Bones\n Kelly Marsh\, Mississippi Sta te University\n A Rhetorical Approach to Narrative Audiences\, Narratees\, Effect\, and Affect in Character Narration\n Sarah Copland\, MacEwan Univer sity\n Refracted Realism\, Character Narration\, and Teju Cole’s Open City \n Nicolas Potkalitsky\, The Ohio State University\n\n\n\n2. Genre Gone Wro ng\n\nLocation: 423\n Moderator: Julie Rivkin\, Connecticut College\n\nPres entations:\n\n\n Genre Passing in Charles Chesnutt’s House Behind the Cedar s\n Julie Rivkin\, Connecticut College\n Sentimental Jeremiad: Callahan’s Wy nema\, A Child of the Forest\n Margaret Homans\, Yale University\n “As a Wom an I Have No Country”: Global Proto-Feminism and the Persian Travelogue\n M arie Ostby\, Connecticut College\n\n\n\n3. Contemporary Expressions of the Environmental Imagination\n\nLocation: 410\n Moderator: Erin James\, Unive rsity of Idaho\n\nPresentations:\n\n\n “Slow Stories”: Affective Experience in Plant Narratives\n Shannon Lambert\, Ghent University\n Weird Environmen ts in Post-Apocalyptic Narratives\n Judith Eckenhoff\, RWTH Aachen Universi ty\n Chthonic Climate Fiction: Monsters From Beneath\n Gry Ulstein\, Ghent U niversity\n\n\n\n4. Counterfactuality\n\nLocation: 340\n Moderator: Jan Alb er\, RWTH Aachen\n\nPresentations:\n\n\n La La Land: Counterfactuality\, Di snarration\, and the Forked (Motorway) Path\n Marina Lambrou\, Kingston Uni versity\n Counterfactual Narratives as a Tool for Macro-Level Meaning Makin g\n Tabitha Holmes\, SUNY New York\n Counterfactuals and Draft Logic in Marc el Proust’s Un Amour de Swan\n Victoria Baena\, Yale University\n\n\n\n5. V ideographic Criticism\n\nLocation: 360\n Moderator: Gregory Brophy\, Bishop s University\n\nPresentations:\n\n\n The Nigerian “Comicast” as New Media N arrative: Images of Violence\n Chukwamah Ignatius\, Federal University\, Ni geria\n Screen Unreliabilities Beyond Definitions and Toward Effects\n Eliza beth Nixon\, The Ohio State University\n Narrating From the Couch or in Han dcuffs: Naturalized Narration in Television Series\n Christian Stenico\, Un iversity of Innsbruck\n Enabling Impediments? Camera Perspective and Prosth etic Masculinity in Schnabel’s The Diving Bell and the Butterfly\n Gregory Brophy\, Bishops University\n\n\n\n6. Identifying the Self in/and the Othe r: An Epistemology of Empathy\n\nLocation: 178\n Moderator: Elizabeth Corsu n\, Transylvania University\n\nPresentations:\n\n\n “Tougher than you imagi ne”: Perspective in Anne Bronte’s Agnes Grey\n Kristianne Kalata\, Westmins ter College\n “She has made a fiction of herself!”: Narrative Identity in S arah Waters’ Fingersmith\n Courtney Hopf\, NYU London\n “As If You Are Me”: The Radical Embodied Empathy of Netflix’s The OA\n Elizabeth Corsun\, Trans ylvania University\n\n\n\n7. Time\n\nLocation: 210\n Moderator: Martin Krei swirth\, \n\nPresentations:\n\n\n Temporal Structure in A Visit From the Goon Squad\n Sean Yeager\, Pacific Northwest College of Arts \n Timely Coincidences: The Representation of Time and Chance in Paul Auste r’s Moon Palace\n Yu-Hua Yen\, University of York\n\n\n\n8. The Rifle on th e Wall\n\nLocation: 310\n Moderator: Greta Matzner Gore\, University of Sou thern California\n\nPresentations:\n\n\n Haruki Murakami: When the Loaded G un Does Not Fire in 1Q84\n Elaine Lux-Koman\, Nyack College\n “Ambrosia has been found\, but we don’t eat it”: The Forbidden Event in Viktor Schlovsky ’s Zoo\, or Letters Not About Love\n Nora Scholz\, LMU Munich\n Narrating So mething By Chatting Along\n Anja Burghardt\, Ludwig Maxmilian University of Munich\n\n\n\n9. Fictionality/Memoir/Autobiography\n\nLocation: 245\n Mode rator: Aili Peeker\, University of California\, Santa Barbara\n\nPresentat ions:\n\n\n Presumed/ Delay Factuality: Fictionality in Auto-Fiction and Rh etorical Poetics\n Shang Biwu\, Shanghai Jiao Tong University\n Narratives o f Self and Modes of Fictionality in Contemporary Auto/Biographical Literat ure\n Fiona Doloughan\, The Open University\n Our Bodies\, Our Incoherent Se lves: Shifting Concepts of Identity and Narrative in Contemporary Literatu re and Digital Games\n Julialicia Case\, University of Cincinnati\n\n\n\n10 . New Tech Effects\n\nLocation: 179\n Moderator: Ellen McCracken\, Universi ty of Southern California\, Santa Barbara\n\nPresentations:\n\n\n The Rheto ric of Screen Reading\n Ellen McCracken\, University of Southern California \, Santa Barbara\n Towards a Narratology of Dynamic Digital Storytelling: T he Impact of Locative Mobile Media\n Lai-Tze Fan\, Lingnan University\n The “New” New Journalism: Long-Form Narrative Journalism in a Media Landscape Increasingly Driven by Shareable and Clickable Content\n Brett Popplewell\, Carleton University\n\n DTSTART:20180421T213000Z DTEND:20180421T230000Z LOCATION:Bronfman Building\, CA\, QC\, Montreal\, H3A 1G5\, 1001 rue Sherbr ooke Ouest SUMMARY:International Conference on Narrative: April 21 - 4 URL:/desautels/channels/event/international-conference -narrative-april-21-4-286524 END:VEVENT END:VCALENDAR